| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | |
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1 | SPIES ARE FOREVER APPROVED SCRIPT CHANGES – ACT 1 | |||||||||||||||||||||||||||
2 | The following are approved cuts and alternate lines to suit the requirements of your performing arts organization. Additional requested changes must be submitted to Tin Can Bros so that the written consent of the authors, if granted, may be obtained prior to performance. | |||||||||||||||||||||||||||
3 | Scene | Song | Page | Type of Change | Character | Original Line | New Line | Reason? | ||||||||||||||||||||
4 | 1 | 5 | ALTERNATE LINE | Interrogator | "Oleg, crush his testicles" | "Oleg, crush his family jewels." | Language | |||||||||||||||||||||
5 | 1 | 5 | ALTERNATE LINE | Interrogator/Curt | INTERROGATOR: "...staring death right in the face?! Where do you get off?!" CURT: "Bedroom, shower, backseat of a limousine? But I don’t feel we’re there just yet. Maybe on our next date I’ll let you get to 2nd base." | INTERROGATOR: "...staring death right in the face?! Where do you get off?!" CURT: "It's the mustache. Hard to take Mr. Face of Death too seriously with that big ol' trash stache." | Adult Content | |||||||||||||||||||||
6 | 1 | 8 | ALTERNATE LINE | Cynthia | "Where the HELL are you?! Quit your tom-fuckery..." | "Where are you?! Quit your tom-foolery..." | Language | |||||||||||||||||||||
7 | 1 | 8 | PARTIAL CUT | Cynthia | "Someone who actually knows what the hell they’re doing" | "Someone who actually knows what the hell they’re doing" | Language | |||||||||||||||||||||
8 | 1 | 10 | PARTIAL CUT | Curt | "Ah, shit. No go on the shoes, Barb." | "Ah, shit. No go on the shoes, Barb." | Language | |||||||||||||||||||||
9 | 2B | 14 | ALTERNATE LINE | Bartender | "We don’t serve that crap here." | "We don't serve that garbage here." | Language | |||||||||||||||||||||
10 | 2B | 15 | CUT | Curt | "HO-ly (sotto) shiiiiiit." | "HO-ly (sotto) shiiiiiit." | Language | |||||||||||||||||||||
11 | 2B | 4 | 20 | ALTERNATE LINE | Curt | THE BEST FUCKING SPY | THE BEST FREAKIN' SPY | Language | ||||||||||||||||||||
12 | 3A | 5 | 23 | ALTERNATE LINE | Curt | STOP ACTING LIKE A LITTLE… PUSSY | STOP ACTING LIKE A LITTLE… WUSSY | Language | ||||||||||||||||||||
13 | 3A | 26 | ALTERNATE LINE | Tatiana | "I will be the one getting off." | "You are going nowhere" | Adult Content | |||||||||||||||||||||
14 | 3A | 26 | ALTERNATE LINE | Curt | "...I’m gonna look like a damn fool" | "...I’m gonna look like an idiot" | Adult Content | |||||||||||||||||||||
15 | 4 | 27 | ALTERNATE LINE | Cynthia | "...and he’s a hell of a lot younger..." | "...and he’s a heck of a lot younger..." | Language | |||||||||||||||||||||
16 | 4 | 27 | ALTERNATE LINE | Cynthia | "Sit down. Fuck you. You’re fucking dead." | "Sit Down. Screw You. You’re dead." | Language | |||||||||||||||||||||
17 | 4 | 27 | ALTERNATE LINE | Cynthia | "What the fuck did my note say? | "What the hell did my note say? / "What did my note say? | Language | |||||||||||||||||||||
18 | 4 | 27 | ALTERNATE LINE | Cynthia | So how in the flippity-flappity FUCK did a dangerous..." | So how could you flippity-flappity fail so bad that a dangerous..." | Language | |||||||||||||||||||||
19 | 4 | 27 | PARTIAL CUT | Cynthia | "...you fucking dum-dum! | "...you fucking dum-dum! | Language | |||||||||||||||||||||
20 | 4 | 28 | PARTIAL CUT | Cynthia | "Well aren’t you the Artful Fucking Dodger?" | "Well aren’t you the Artful Fucking Dodger?" | Language | |||||||||||||||||||||
21 | 4 | 28 | ALTERNATE LINE | Cynthia | "Eat a Dickens" | (in a cockney accent) Consider yourself... (drops the accent) not fired. For now. | Adult Content | |||||||||||||||||||||
22 | 4 | 28 | ALTERNATE LINE | Cynthia | "We’d really be up shit creek..." | "We’d really be up a creek..." | Language | |||||||||||||||||||||
23 | 4 | 28 | PARTIAL CUT | Cynthia | "...you fucking dweeb." | "...you fucking dweeb." | Language | |||||||||||||||||||||
24 | 4 | 28 | PARTIAL CUT | Cynthia | "DAMMIT MEGA HELP ME!!" | "DAMMIT MEGA HELP ME!!" | Language | |||||||||||||||||||||
25 | 4 | 28 | PARTIAL CUT | Cynthia | "You just fucking stood there..." | "You just fucking stood there..." | Language | |||||||||||||||||||||
26 | 4 | 29 | PARTIAL CUT | Cynthia | "UGH. That. That fucking–!!" | "UGH. That. That fucking–!!" | Language | |||||||||||||||||||||
27 | 4 | 29 | PARTIAL CUT | Cynthia | "Yeeeeesssss a fuckin beard." | "Yeeeeesssss a fuckin beard." | Language | |||||||||||||||||||||
28 | 4 | 29 | ALTERNATE LINE | Cynthia | "I know I’ve been a big ‘ol bitch today" | "I know I’ve been a big ‘ol witch today" | Language | |||||||||||||||||||||
29 | 4 | 29 | ALTERNATE LINE | Cynthia | "An American alliance with them would really fuck the Russians." | "An American alliance with them would really get Russia's goat." | Language | |||||||||||||||||||||
30 | 4 | 29 | ALTERNATE LINE | Cynthia | "...aw fuck it." | "...aw screw it." | Language | |||||||||||||||||||||
31 | 4 | 29 | ALTERNATE LINE | Cynthia | "...bowing at this fickle fuck’s feet until..." | "...bowing at this fickle fiend's feet until..." | Language | |||||||||||||||||||||
32 | 4 | 29 | ALTERNATE LINE | Cynthia | "And thanks to your colossal fuck up in Budapest..." | "And thanks to your colossal failure in Budapest..." | Language | |||||||||||||||||||||
33 | 4 | 6 | 31 | ALTERNATE LINE | Cynthia | TO GET HIS SHIT TOGETHER | PULL HIMSELF TOGETHER | Language | ||||||||||||||||||||
34 | 6A | 7 | 38 | ALTERNATE LINE | Company | FABULOUS MONEY TO WASTE CARDS, LIQUOR, AND PUSSY GALORE, ALL JUST BEGGING FOR A TASTE | FABULOUS MONEY TO WASTE CARDS, LIQUOR, AND TEMPTATION GALORE ALL JUST BEGGING FOR A TASTE | Adult Content | ||||||||||||||||||||
35 | 6A | 7 | 39 | ALTERNATE LINE | Company/ Gambler | COMPANY: ONE HAND COULD CHANGE YOUR LUCK GAMBLER: I’m so hot baby! COMPANY: FORTUNES ARE MADE, BUT LOST JUST AS FAST DON’T BE THE ONE WHO CRIES GAMBLER: Fuuuu– | COMPANY: LUCK TENDS TO TURN IN ONE GO GAMBLER: I’m so hot baby! COMPANY: FORTUNES ARE MADE, BUT LOST JUST AS FAST DON’T BE THE ONE CRYING GAMBLER: Nooooooo– | Language | ||||||||||||||||||||
36 | 6A | 40 | ALTERNATE LINE | Curt | "Shit" | "Whoops" | Language | |||||||||||||||||||||
37 | 6A | 41 | ALTERNATE LINE | Curt | "Cut the shit." | "Cut the act" | Language | |||||||||||||||||||||
38 | 6A | 42 | ALTERNATE LINE | Waitress | "So, if you could avoid being a dickhead..." | "So, if you could avoid being a prick..." | Language | |||||||||||||||||||||
39 | 6A | 42 | CUT | Dick | "...but my friends call me Dick." | "...but my friends call me Dick." | Language | |||||||||||||||||||||
40 | 6A | 43 | ALTERNATE LINE | Dick | "Here’s to honor… hitting honor, getting honor, staying honor...and if you can’t come in her… come honor! God bless America!” | "Here's to Doing and Drinking, not sitting and thinking. God Bless America" | Adult Content | |||||||||||||||||||||
41 | 6A | 44 | ALTERNATE LINE | Dick | "...help ya out, Ms. Gingerpuss." | "...help ya out, Ms. Gingersnap." | Adult Content | |||||||||||||||||||||
42 | 6A | 44 | ALTERNATE LINE | Tatiana | "Needle Dick" | "Feckless Yank" | Adult Content | |||||||||||||||||||||
43 | 6A | 46 | PARTIAL CUT | Dick | "There’s no way in hell that..." | "There’s no way in hell that..." | Language | |||||||||||||||||||||
44 | 7B | 10 | 53 | ALTERNATE LINE | Baron | BUT NOW I’M ALL GROWN UP AND IT’S ALL SCHMUCK’D UP | BUT NOW I’M ALL GROWN UP AND IT’S ALL MESSED UP | Language | ||||||||||||||||||||
45 | 7B | 56 | ALTERNATE LINE | Cynthia | "...aw fuck it" | "...aw screw it" | Language | |||||||||||||||||||||
46 | 7B | 57 | PARTIAL CUT | Deadliest | "...secrets that would blow your fucking mind." | "...secrets that would blow your fucking mind." | Language | |||||||||||||||||||||
47 | 7B | 58 | ALTERNATE LINE | Deadliest | "I’m gonna torture the living shite out of you." | "I’m gonna torture the bloody 'ell out of you." / "I’m gonna torture the bloody life out of you." | Language | |||||||||||||||||||||
48 | 7B | 11 | 58 | ALTERNATE LINE | Curt | "You’re a sick bastard." | "You sicko" | Language | ||||||||||||||||||||
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